Sarah Bay-Cheng is Chair and Professor of Theater and Dance at Bowdoin College, where she teaches theater history and theory, dramatic literature, and digital media performance. Her research focuses on the intersections among performance and media including histories of cinema, social media, and computer technology in contemporary performance. Recent publications include Performance and Media: Taxonomies for a Changing Field (2015) and Mapping Intermediality in Performance (2010) as well as essays in Theatre Journal, Theater, Contemporary Theatre Review, and Performance Research, among others. Her current monograph project explores digital historiography and performance. Bay-Cheng frequently lectures internationally and in 2015 was a Fulbright Visiting Scholar in the Department of Media and Cultural Studies at Utrecht University in the Netherlands. She is co-edits the book series Avant-Gardes in Performance (Palgrave) and is an associate editor for the Journal of Dramatic Theory and Criticism, the International Journal of Performance Arts and Digital Media, and Contemporary Theatre Review. Previously, she served on the governing boards of Performance Studies international and the Association for Theatre in Higher Education, and she currently administers the ASTR members group for Digital Research and Scholarship. Since 2016, Bay-Cheng can be heard monthly as a co-host for the podcast, On TAP (Theatre and Performance) with Pannill Camp and Harvey Young. She occasionally gets to work as a director and dramaturg with particular interest in intermedial collaborations and a fondness for puppetry.